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Little is known about Marie Bouttier (1839–1921), known as Madame Bouttier. She was born in Lyon, France, into a family of canut silk workers and was drafted into her father’s workshop as a silk weaver. In 1862 she married André Bouttier, a weaver himself, and gave birth to their only child, a daughter, the following year. Marie Bouttier developed a strong interest in the occult and became an active member of a group of spiritualists in Lyon led by Alphonse Bouvier, the editor of a magazine specialising in the subject. At the age of sixty, in a state of trance, she began to make automatic drawings with a pencil. Her works depict strange creatures of indistinct shape in which plant motifs intermingle and the foliage seems to turn into insects, fish, or larvae.
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Emmanuel Grimaud, Sarah Lombardi and Anic Zanzi, Croyances, Lausanne/ Milan, Collection de l’Art Brut/ 5 Continents Editions, 2021,« Art Brut, la collection », under the direction of Sarah Lombardi,168 pages, more than 100 color plates, available in french or in english..

Emmanuel Grimaud, Sarah Lombardi and Anic Zanzi, Beliefs, Lausanne/ Milan, Collectionde l’Art Brut/ 5 Continents Editions, 2021, « Art Brut, la collection », under the direction of Sarah Lombardi, 168 pages, over 100 color plates, available in French or English.
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The museum constantly displays part of its collection, including works by major creators such as Aloïse Corbaz, Augustin Lesage, Marguerite Sirvins, and Auguste Walla. The Art Brut pieces are created by self-taught artists—solitary individuals living on the margins of society, patients of psychiatric hospitals—who produce work apart from tradition and artistic trends, without concern for public criticism or the gaze of others.
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