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1901-1972, Suisse
Armand Schulthess was born in Neuchâtel, Switzerland. He attended commercial college before doing an apprenticeship in an import–export company. From 1923 to 1934 he was the proprietor of a firm making women’s clothes in Zurich, then Geneva. He subsequently worked in an office in the commercial division of the Swiss Federal Department of the Economy.
At the age of 50 he withdrew from the real world. He left his family and job and went to live at Auressio, in the Ticino, in a small house he had bought.
He embarked on the task of laying out his 18,000 m2 property with a network of paths, bridges, stairways and ladders. From the trees, by means of wire, he hung hundreds of metal plaques made from the tops or bases of food tins, which he coated with paint and inscribed with messages. The texts, written in five languages, combine knowledge relating to geology, astrology, psychoanalysis, literature and music, among other subjects.
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Swiss Made, l’Art Brut en Suisse, sous la direction de Sarah Lombardi, Collection de l’Art Brut (Lausanne), 2018, disponible en Français, allemand, anglais et italien.

The Art Brut Fascicle N°14, 18 x 24 cm, 150 ill. black/white or color, about 160 pp. Since 1964 to 2018. In French. One fascicle CHF 30.-
Price Complete collection, 25 fascicles (N°2 - N°26) : CHF 720.-
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Swiss Made, l’Art Brut en Suisse, sous la direction de Sarah Lombardi, Collection del’Art Brut (Lausanne), 2018, disponible enFrançais, allemand, anglais et italien.

Swiss Made, l’Art Brut en Suisse, sous la direction de Sarah Lombardi, Collection de l’Art Brut (Lausanne), 2018, disponible en Français, allemand, anglais et italien.

Swiss Made, l’Art Brut en Suisse, sous la direction de Sarah Lombardi, Collection de l’Art Brut (Lausanne), 2018, disponible en Français, allemand, anglais et italien.

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From 27 November 2026 to 25 April 2027
In the 1950s, Swiss artist Armand Schulthess (1901–1972) set about transforming a plot of nearly 18,000 square metres in the Canton of Ticino into an extraordinary, multifaceted, open-air environment. Paths, walkways, bridges and steps criss-crossed the site, interspersed with an array of objects and suspended installations – many hanging from trees. Schulthess covered salvaged pieces and sheets of metal with engraved inscriptions reflecting his encyclopaedic knowledge, particularly of science and philosophy.
Every day from 11 am to 6 pm (except Mondays)
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